Talking Colour/Talking pattern: Yemisi Femi-Sunmaila

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
( Swan, Street view and Market View)

Inspired by the scenery from my neighbourhood, these responses included elements that attempted impressionistic drawing, using a combination of watercolours, acrylic paint, and marker pen.

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila

 

(Jellyfish from the Tottenham Court Road Station Exhibition)

I used coloured pencil, oil pastel, marker pen, and different pencil shades to create an observational drawing that explores and combines three techniques: pencil shading, line drawing, and bold  shading.

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila

Initially, I made a watercolour painting of my guitar on white A3 paper. I thought it looked a bit plain and wanted a quicker way to cover the blank spaces, so I decided to glue brown tissue paper to the page and further emphasised some shapes and details with acrylic and marker for more depth and contrast. 

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
(The Stratford Shoal)

This piece was made with snipped magazine pages, watercolour, and metallic acrylic. My choice of medium was meant to replicate the analogous shades of metallic sheets in the structure.

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
(The Arcelormittal Orbit)

I created a quick and abstract response using acrylic paint and fineliner, contrasting with the intricate structure of the subject.

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
(Horniman Museum Inspiration: Seashell and Beetle)

Using a combination of marker pen, oil pastel, and coloured pencil, I created a response with a quick sketch of the structure and more detailed texturing.

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
(King Cyprus sculpture from the British Museum)

Intrigued by the craftsmanship of the sculpture, I chose to mimic the carving using the sgraffito technique. This was my first attempt at the method, which involves layering colors and allowing each to dry before applying the next.Then carefully scraping the top layer to reveal the colour beneath 

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila

 

I liked the sgraffito process, so I recreated it for this drawing.

Overall, I experimented with a variety of approaches and techniques. I observed a lack of cohesiveness in areas such as selecting and combining colours, in the Impressionism and observational drawing and other compositional aspects I cannot quite identify yet. Also experimenting with different mediums wasn’t explored enough.These are aspects I plan to improve in future projects. Despite this, the simplicity and rawness of the outcomes successfully capture the essence of each subject

Pattern 

Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
Talking Colour/Talking pattern: Yemisi Femi-Sunmaila
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